Do the Hustle!: JK [Wedding Dance]

The JK Wedding Dance video is interesting because it challenges our social normatives, much like iconic brands do. Jenkins, Li, Krauskopf, and Green (2009) note that in order for something to be spreadable (clearly, this video is an apt example of spreadable media), it must answer a question for us, speak a truth, make sense of something, or touch us emotionally. This video allows us to experience a ritualistically sober ceremony in a non-traditional way, and allows us to do so safely from the comfort of our own home. It shows us  that something we may have previously considered socially taboo, is actually fun and completely acceptable. It allows collective intelligence to demolish pluralistic ignorance.

Chris BrownBowrey (2011) explains that many cases of copyright infringement and related disputes do not actually have the backing of the law that may be assumed. She notes that most people make assumptions about what is actually enforceable, but notes that trademark and copyright laws (and processes) are meant to cover very specific items and not thematic elements (e.g., characters). Additionally, IP laws change with the culture, and interpretation is done with an eye on the current state of culture and conceptualized future progression. This is similar to idea that the medium is the message (Federman, 2004). IP laws are flexible enough to anticipate legal needs as culture and use norms change. By understanding what is underlying and looking for those issues which are not glaringly obvious, IP law can effectively maintain the freedom and cost-effectiveness of amateur material with the commercial and professional, as suggested and called for by Cunningham (2012).

Sony’s brand relies on the notion that using their products, individuals can create whatever they can imagine (Sony Global, 2013). In the case of Jill and Kevin, they imagined a wedding outside the traditionally accepted social norms. They created an individualized ceremony, using Sony’s product (i.e., the song), because they believed they could, and they made it happen: make.believe.

Sony ElectronicsNot only does Sony have a variety of options for promoting their brand, but it seems to be recognized by many consumers that they already have benefited from the video’s popularity. Deighton and Kronfeld (2012) explain that when the video was at the height of it’s popularity, a number of people challenged the integrity of the video, accusing Sony of creating the video to induce sales and reputation reparations. It stands to reason, then, that the perception is that there was an increase in sales, as well as a shift in the artists popularity, despite his domestic abuse arrest. Rather than focusing on the negativity of the personal experiences of the artist, Sony could instead focus on the phenomenon promoted by the video which encourages a happy and unique marriage. Jill and Kevin donated money made from the video’s unexpected virality to a charity in just such a way (Deighton & Kornfeld, 2012). Allowing the song to be representative of something more positive is one way for Sony to not only take advantage of the popularity of the song and the video, but also do something socially supportive while profiting in non-direct ways. This is one of the possible actions to be taken as pointed out by Deighton and Kronfeld ( 2012). Were Sony to do something to threaten Jill and Kevin, they risk not only alienating customers who purchased the song for their wedding in the first place (i.e., Jill and Kevin), but those who spread the video, as well as those who identify with and support the charity they support with the proceeds. They also risk lash back such as that exhibited by Lenz when she the Electronic Frontier Foundation about her YouTube video (Deighton & Kornfeld, 2012). And that is not even taking into account a possibly unfounded complaint which, according to Bowrey (2011), is a very real possibility.

References:

Bowrey, K. (2011). The new intellectual property: Celebrity, fans and the properties of the entertainment franchise. Griffith Law Review, 20(1), 188-220.

Cunningham, S. (2012). Emergent innovation through the coevolution of informal and formal media economies. Television New Media, 13(5), 415-430.

Deighton, J., & Kornfeld, L. (2012). Sony and the JK Wedding Dance. Boston, MA: Harvard Business College.

Jenkins, H., Li, X., Krauskopf, A., & Green, J. (2009). If it doesn’t spread, it’s dead (part one): Media viruses and memes. Retrieved from http://henryjenkins.org/2009/02/if_it_doesnt_spread_its_dead_p.html

Sony Global. (2013). Sony group brand message “make.believe”. Retrieved from http://www.sony.net/united/makedotbelieve/

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Argumentation Fuels Learning

Argumentation fuels learning. Weston (2009) states “Argument is essential, in the first place, because it is a way of finding out which views are better than others,” that “… argument is a means of inquiry” (p. xi).

Regardless of topic, the argumentation requires an understanding of the power of words and their structure. Just as Prose (2006) came to understand the value of close reading through an examination of Oedipus Rex, so too can we come to appreciate the richness of specifically chosen words through reading and analysis; learning.

Aggressive-ArgumentationBecause there are those who assume that we will mindlessly follow them and their causes, we must be adept in weighing empirical evidence, analyzing analogies, and considering reputability. In order to do this, we must develop and maintain the ability to research topics and understand principles of rhetoric. It behooves us to dive into the meaning of the words used, beyond the celebrity of the speaker, and consider every angle of that which we are exposed to.

Whether crafting a response to a political platform, commenting on the value of a product, or encouraging the patronage of a local business, the words we choose are compelling when used properly. Global activism thrives on powerful communication taking a variety of forms, but starting with purposeful words (de Jong, Shaw, & Stammers, 2005). It is up to those of us who are apt to share information and challenge assumptions, choosing our words carefully, and presenting a comprehensive examination of our view.

Weston (2009) says “Real argument… takes time and practice. Marshaling our reasons, proportioning our conclusion to the actual evidence, considering objections- and all the rest- these are acquired skills” (p. xii). Arguing requires learning.

References:

de Jong, W. de, Shaw, M., & Stammers, N. (2005). Global activism, global media. London; Ann Arbor, MI: Pluto Press.
Prose, F. (2006). Reading like a writer : a guide for people who love books and for those who want to write them. New York: HarperCollins Publishers.
Weston, A. (2009). A rulebook for arguments. Indianapolis: Hackett Pub.

Monster High: Transmedia Education

Whole_monster_high_crewIndividuals learn in a variety of ways (Felder & Spurlin, 2005). One method for educating is storytelling. Storytelling is a way of communicating and processing events and information; taking away the lessons that life has to offer (McKee, 1997). Understanding that people learn in a variety of ways, and that storytelling is tradition of humankind, it makes sense to tell stories using a variety of media. Hence, transmedia storytelling (Jenkins, 2007).

An example of how transmedia storytelling can teach children is Monster High. Monster High began as a web series; short 3 minute videos which tell the story of a group of students in high school. The catch is that they are all the children of famous monsters (e.g., Dracula, the werewolf, zombies, the Mummy, etc.). From there, Mattel created dolls, games on both computer and DS, art projects on their website, teen paranormal novels, kits to create your own dolls, a wiki, and a whole host of other media telling different parts of the Monster High story. Tim Kring (2008) notes that transmedia includes a central world (he calls in the ‘mothership’) from which all other media branch and to which all other media reconnect. Part of the educational aspects inherent in Monster High come not only from the facilitation of media literacy development, but from the history which is included in the creation of its world. If a child wants to know more about Cleo de Nile’s background, personality traits, habits, and interests, they must research her father (aka the Mummy) and his origins (i.e., Egypt). The same goes for every character. Children who are immersed in this story are guided to topics such as steampunk, French cathedrals, musical theatre, and mythology.

Monster HighAnother aspect of transmedia storytelling which Monster High accounts for is collective intelligence and user-generated content. Countless YouTube videos feature tutorials on recreating the makeup looks of the characters, creating custom dolls, and fan fiction. Monster High has also supported pre-teen focused social marketing content, allowing social issues to be addressed first via web video, then via wiki.

Because of the expansive ways in which transmedia storytelling reaches its audience, it can be harnassed for education as well as entertainment. Monster High is an example of that combination, though many other examples may be found throughout history (MIT, 2006).

References:

Felder, R. M., & Spurlin, J. (2005). Applications, reliability and validity of the index of learning styles. International Journal of Engineering Education, 21(1), 103–112.
Jenkins, H. (2007, March 22). Transmedia storytelling 101. Confessions of an Aca-Fan: The Official Weblog of HenryJenkins. Retrieved from: http://henryjenkins.org/2007/03/transmedia_storytelling_101.html
McKee, R. (1997). Story : substance, structure, style, and the principles of screenwriting. New York: ReganBooks.

Wanted: Someone To Kiss Me On New Year’s | Thought Catalog

Wanted: Someone To Kiss Me On New Year’s | Thought Catalog.

Fog of War: References for Weeks 1 and 2

Before We Get Started…

Let me say, before I list these, that I’m attempting to bring in both perspectives in ways that are not offensive. These aren’t research articles that are necessarily representing my point of view, but rather provide insight into all views (without calling the opposing view stupid or wrong).


Week 1: Sexualization, Marginalization, and Causation- OH MY!

For week one, we talked about the sexualization of characters, marginalization in gaming communities, and possible causation of sexism in gaming. Per our discussion, I haven’t been subjected to sexism in gaming, and Micah sees it happening and thinks that the players are at fault; not the game devs. John brought up the advertising aspect, noting that advertisers lead the trends, and gamers follow. I reminded him that while we have correlation, we don’t really have causation.

References:

Bice, M. (2011). On men’s sexualization in video games. Gamasutra. Retrieved from: http://www.gamasutra.com/blogs/MattieBrice/20111129/9003/On_Mens_Sexualization_in_Video_Games.php

Bycer, J. (2012). . The difficulties and controversies of designing female characters: Or how not to add a woman’s touch. Gamasutra. 

Cassell, J., & Jenkins, H. (2000). From Barbie® to Mortal Kombat: Gender and Computer Games. MIT Press.

Dickey, M. D. (2006). Girl gamers: the controversy of girl games and the relevance of female-oriented game design for instructional design. British journal of educational technology37(5), 785–793.

DuVoix, H. (2012). Venus in Mars: Gender equality in fighting games. Ontological Geek. Retrieved from: http://ontologicalgeek.com/venus-in-mars-gender-equality-in-fighting-games/

Ivory, J. D. (2006). Still a Man’s Game: Gender Representation in Online Reviews of Video Games. Mass Communication and Society9(1), 103–114. doi:10.1207/s15327825mcs0901_6

Nerdlove. (2011). Nerds and male privilege. Paging Dr. Nerdlove. Retrieved from: http://www.doctornerdlove.com/2011/11/nerds-and-male-privilege/

Sharkey, S. (n.d.). Top 5 most attractive, non-sexualized women in games. 1Up.com. Retrieved from: http://www.1up.com/features/top-5-attractive-nonsexualized-women

Week 2: An Ode to Those Media Literate Kiddos!

In week two, we talked about children (of all ages) and the benefits of media literacy. We discussed educational uses for media, motivations in gaming, and things that can be learned from each genre of game. Micah, John, and I all discussed our favorite game genres, and what we feel we’ve learned from them.

References:

Annetta, L. A. (2010). The “I’s” have it: A framework for serious educational game design. Review of General Psychology14(2), 105–112. doi:10.1037/a0018985

Barnett, J., & Coulson, M. (2010). Virtually real: A psychological perspective on massively multiplayer online games. Review of General Psychology14(2), 167–179. doi:10.1037/a0019442

Cole, H., & Griffiths, M. D. (2007). Social Interactions in Massively Multiplayer Online Role-Playing Gamers. CyberPsychology & Behavior10(4), 575–583. doi:10.1089/cpb.2007.9988

Dieterle, E., & Clarke, J. (in press). Multi-user virtual environments for teaching and learning. In M. Pagani (Ed.), Encyclopedia of multimedia technology and networking (2nd ed). Hershey, PA: Idea Group, Inc.

Floyd, D. (2008). Video games and learning[Web Video]. Retrieved from: http://www.youtube.com/watch?v=rN0qRKjfX3s

Gackenbach, J. (Ed.). (2007). Psychology and the internet : intrapersonal, interpersonal, and transpersonal implications. Amsterdam; Boston: Elsevier/Academic Press.

Giles, D. (2010). Psychology of the media. Houndmills, Basingstoke, Hampshire; New York: Palgrave Macmillan.

Ohler, J. (2008). Digital storytelling in the classroom new media pathways to literacy, learning, and creativity. Thousand Oaks, Calif.: Corwin Press. Retrieved from http://catalog.hathitrust.org/api/volumes/oclc/86038208.html

Rosas, R., Nussbaum, M., Cumsille, P., Marianov, V., Correa, M., Flores, P., Grau, V., et al. (2002). Beyond Nintendo. design and assessment of educational video games for first and second grade students.pdf. Computers & Education, 40(2003), 71–94.

Zhou, Z., Jin, X.-L., Vogel, D. R., Fang, Y., & Chen, X. (2011). Individual motivations and demographic differences in social virtual world uses: An exploratory investigation in Second Life. International Journal of Information Management, 31(3), 261–271. doi:10.1016/j.ijinfomgt.2010.07.007

Technophilia

Being in love with technology (aka ‘technophilia) is not as shocking as it may seem. A passion for inatimate things, living things, things that make our lives easier, and things that facilitate secret (or not so secret) desires has long since been a common thing; unspoken though it may be (Kelly, 2010).

Harlow (1958) introduces the concept of love after measuring a monkey’s preference of articial mothers. If, in 1958, a monkey can show an affinity for an inatimate object, why is it then so hard to admit or imagine that we are able to have real emotions for technology? Mary Chayko (2008) relays the emotional connectedness that we find using virtual technologies; relationships are formed and brought to fruition virtually every day. People, frustrated with their real life situations, find solace in virtual communities and online games which provide alternate realities for them to escape to (Zhou, Jin, Vogel, Fang, & Chen, 2011).

How can technology facilitate these accomplisments, and escape our attention and our devotion? An appreciation for the thing allowing us to reach our goals is inevitable. The more we embrace technophilia, the more prevalent it will become (Kelly, 2010).

References:

Chayko, M. (2008). Portable communities : the social dynamics of online and mobile connectedness. Albany: SUNY.

Harlow, H. (1958). The nature of love. The American Psychologist13, 673-685.

Kelly, K. (2010). Technophilia. In J. Dibbell (Ed.). The best technology writing 2010. New Haven: Yale University Press.

Zhou, Z., Jin, X.-L., Vogel, D. R., Fang, Y., & Chen, X. (2011). Individual motivations and demographic differences in social virtual world uses: An exploratory investigation in Second Life. International Journal of Information Management, 31(3), 261–271. doi:10.1016/j.ijinfomgt.2010.07.007

My Serenity Encapsulated: A Few Thoughts

This is an amazing post (one of many) by a blogger I follow. It feels like the more emotionally rich way of talking about identities and identity verification. Mostly, I get lost in his wording and musings. And, afterall, storytelling is one of the most powerful tools we have. Nicely done, friend.

 

A few thoughts.

 

Social Influence in Gaming, Social Media, and Social Marketing

Joinson, Mckenna, Postmes, and Reips (2009) discuss three main types of social influence: compliance, norm-based influence, and interpersonal influence. Compliance takes place when an individual molds their actions around what is expected of them in a social situation; they act on other peoples’ expectations. Norm-based influence is when an individual makes a change to their behavior in order to fit in with their in-group, and do so of their own volition. Interpersonal influence takes place when and individual sees themselves as distict, and obtains information or perspective from other individuals which they see as useful, influential, or relevant; we may be persuaded by others whom we see as being applicable to our needs or personal validity.

Evidence of these social influences are readily found in online gaming communities. Barnett and Coulson (2010) discuss the formation of organized groups of players (aka guilds) in massively multiplayer online games (MMOs) and what motivates players to join them. They note that due to the varying roles that must be played in order to accomplish goals within these guilds, players must trade information while still fulfilling their individual purposes. In this way, players exibit interpersonal influence on one another. Other research notes that players are influenced socially in game play, but do not clearly define whether the influence is compliant or norm-based (Cole & Griffiths, 2007).

An example of compliant social influence was uncovered when studying Facebook group use (Park, Kee, & Venezuela, 2009). Students report using Facebook groups because they felt compelled by fellow students and identified doing so as an in-group normative behavior.

Finally, norm-based influence can be found in social martketing (McKenzie-Mohr, 2000). When social marketers present desired behaviors as social normatives, individuals may alter their behaviors of their own choosing to match the desired behavior presented in the campaign. In this way, the individual avoids cognitive dissonance and is able to percieve themselves as complying with the more desirable behavior; that of the in-group as presented by the campaign.

When we understand how social influence affects behaviors and changes, as well as personal identities, we can not only understand changes in individuals but we are better equipped to use these influences to overcome marginalization, develop various skills, and teach others to follow suit.

References:

Barnett, J., & Coulson, M. (2010). Virtually real: A psychological perspective on massively multiplayer online games. Review of General Psychology, 14(2), 167–179. doi:10.1037/a0019442
Cole, H., & Griffiths, M. D. (2007). Social Interactions in Massively Multiplayer Online Role-Playing Gamers. CyberPsychology & Behavior, 10(4), 575–583. doi:10.1089/cpb.2007.9988
Joinson, A. N. (2009). The Oxford handbook of Internet psychology. Oxford; New York: Oxford University Press.
McKenzie-Mohr, D. (2000). Fostering sustainable behavior through community-based social marketing. American Psychologist, 55(5), 531–537. doi:10.1037//0003-066X.55.5.531
Park, N., Kee, K. F., & Valenzuela, S. (2009). Being immersed in social networking environment: Facebook groups, uses and gratifications, and social outcomes. CyberPsychology & Behavior, 12(6), 729–733. doi:10.1089/cpb.2009.0003

The Value of Words

Words have the merit to change behavior. Conditioned responses are the result of a repeated pairing of unconditioned stimulai and conditioned stimulai. Just as Pavlov’s dogs were conditioned to salivate at the sound of a bell, people are conditioned to react to different words in a variety of ways. Words such as ‘war’ and ‘love’ invoke different emotions in every person who hear/see them, but these reactions vary based on the recipient’s past experiences or conditioning (Anderson, 2000).

Words have the merit to change perception of self. They are instrumental in the verification of one’s identity. Feedback allows individuals to determine whether their identity standard matches the identity they exhibit to others. Words allow those who are marginalized to try on identities via online connectivity without having to come face to face with others (Burke & Stets, 2009). When we do come face to face, words allow relationships to be conveyed and maintained (Pinker, 2005).

Therefore, the merit of words is directly related to the effect they have on the recipient of those words.

References:

Anderson, J. R. (2000). Learning and memory : an integrated approach. New York: Wiley.

Burke, P., & Stets, J. E. (2009). Identity theory. New York, NY: Oxford University Press.

Pinker, S. (2005) The Stuff of Thought. TED Talk. Retrieved from http://blog.ted.com/2007/09/11/steven_pinker/

Essential Melodiness

So, here is what I love about studying identities: we are all made up of a variety of identities. We get to choose which ones we show, which ones we prioritize, how we define then, how we refine them, and how we use them to interact. When you ask someone (or even better, a group  of someones) to tell you who they are, their answers will vary vastly. Give them the task of choosing how to tell you, and the vastness of the variations expands. The colors, graphics, sounds, pictures, videos, words, textures, etc. that we use to produce something representative of our core all roll into that description as well. For more information on identities, check out the great book below. Meanwhile, here is my Glog introducing who I am. Enjoy!

Read More!

Burke, P., & Stets, J. E. (2009). Identity theory. New York, NY: Oxford University Press.