This is SO MUCH of what happens in chat… I laughed so hard. Especially the MIA one. Don’t forget to click on the photo to see the rest of CAD’s hilarity. Enjoy!
I really love this vlog. Check it out! I’m suddenly feeling the urge to play some League…
Role-playing on Twitter may be an effective tool with which individuals may seek online support. Play, in general, is not only a method for escaping the difficulties and mundane activities of every day life, it is also a way for us to understand ourselves, our place in the world, and our relations to others (Chayko, 2008). Role-play, more specifically, has been used for education (Riddle, 2008), the processing and resolution of conflict (Houston, Magill, McCollum, & Spratt, 2001), and as a way to hone interpersonal skills in both virtual and face-to-face communities (Jung, 2007). Twitter, specifically, facilitates disinhibition in virtual connectivity (Joinson, 2007), intimacy via written text (Tanis, 2007), specifically targeted audiences (Marwick & boyd, 2010), and connect to communities based on common interests (Zappavigna, 2011).
One example of role-playing on Twitter is the individuals brought together by their interest in League of Legends (LoL), a massively online battle arena (MOBA), who have created Twitter accounts posing as characters from the game. Those characters, bound in some way by the lore already created by game developers, interact in a way which allows LoL to become immersive. These characters already belong to communities, based on their lore, however the community of role-players also begin to develop “meta” rules (e.g., social norms) for what is acceptable behavior when acting as a character. For instance, when speaking out of character the role-player must use “//” before the text.
Role-players use text to indicate physical movement as well. This is consistent with Tanis’s (2007) note that individuals change writing forms and word usage to indicate non-verbal cues when having text based conversations in which non-verbal cues are necessary. When becoming a part of this community, role-players who have been in the community longer, use the direct message function of Twitter to explain abbreviations, meta rules, and work out characters’ story lines (or TL’s). This sharing of information is also consistent with Parks (2011) assertion that communities inherently have a form of information sharing. Additionally, this community allows for strong bonds between players, allowing for informational and emotional support (Tanis, 2007).
Role-playing in online communities, such as the ones found on Twitter, allow us to learn to develop identities (whether our own, or role-played), adhere to social norms and meta rules for communities, become immersed or facilitated the immersion of others into a transmedia story, and provide or find support using online connectivity.
Houston, S., Magill, T., McCollum, M., & Spratt, T. (2001). Developing creative solutions to the problems of children and their families: Communicative reason and the use of forum theatre. Child and Family Social Work, 6, 285-293.
Joinson, A. (2007). Disinhibition and the internet. In J. Gackenbach (Ed.), Psychology and the Internet: Intrapersonal, Interpersonal, and Transpersonal Implications, (pp. 75-92). New York, NY: Elsevier.
Jung, Y. (2007). Role enactment in interactive media: A role-play perspective. Dissertation Abstracts International Section A: Humanities and Social Sciences, , 4124-4124. Retrieved from http://search.proquest.com/docview/621722683?accountid=10868. (621722683; 2008-99070-189).
Let me say, before I list these, that I’m attempting to bring in both perspectives in ways that are not offensive. These aren’t research articles that are necessarily representing my point of view, but rather provide insight into all views (without calling the opposing view stupid or wrong).
For week one, we talked about the sexualization of characters, marginalization in gaming communities, and possible causation of sexism in gaming. Per our discussion, I haven’t been subjected to sexism in gaming, and Micah sees it happening and thinks that the players are at fault; not the game devs. John brought up the advertising aspect, noting that advertisers lead the trends, and gamers follow. I reminded him that while we have correlation, we don’t really have causation.
Bice, M. (2011). On men’s sexualization in video games. Gamasutra. Retrieved from: http://www.gamasutra.com/blogs/MattieBrice/20111129/9003/On_Mens_Sexualization_in_Video_Games.php
Bycer, J. (2012). . The difficulties and controversies of designing female characters: Or how not to add a woman’s touch. Gamasutra.
Cassell, J., & Jenkins, H. (2000). From Barbie® to Mortal Kombat: Gender and Computer Games. MIT Press.
Dickey, M. D. (2006). Girl gamers: the controversy of girl games and the relevance of female-oriented game design for instructional design. British journal of educational technology, 37(5), 785–793.
DuVoix, H. (2012). Venus in Mars: Gender equality in fighting games. Ontological Geek. Retrieved from: http://ontologicalgeek.com/venus-in-mars-gender-equality-in-fighting-games/
Ivory, J. D. (2006). Still a Man’s Game: Gender Representation in Online Reviews of Video Games. Mass Communication and Society, 9(1), 103–114. doi:10.1207/s15327825mcs0901_6
Nerdlove. (2011). Nerds and male privilege. Paging Dr. Nerdlove. Retrieved from: http://www.doctornerdlove.com/2011/11/nerds-and-male-privilege/
Sharkey, S. (n.d.). Top 5 most attractive, non-sexualized women in games. 1Up.com. Retrieved from: http://www.1up.com/features/top-5-attractive-nonsexualized-women
In week two, we talked about children (of all ages) and the benefits of media literacy. We discussed educational uses for media, motivations in gaming, and things that can be learned from each genre of game. Micah, John, and I all discussed our favorite game genres, and what we feel we’ve learned from them.
Annetta, L. A. (2010). The “I’s” have it: A framework for serious educational game design. Review of General Psychology, 14(2), 105–112. doi:10.1037/a0018985
Barnett, J., & Coulson, M. (2010). Virtually real: A psychological perspective on massively multiplayer online games. Review of General Psychology, 14(2), 167–179. doi:10.1037/a0019442
Cole, H., & Griffiths, M. D. (2007). Social Interactions in Massively Multiplayer Online Role-Playing Gamers. CyberPsychology & Behavior, 10(4), 575–583. doi:10.1089/cpb.2007.9988
Dieterle, E., & Clarke, J. (in press). Multi-user virtual environments for teaching and learning. In M. Pagani (Ed.), Encyclopedia of multimedia technology and networking (2nd ed). Hershey, PA: Idea Group, Inc.
Floyd, D. (2008). Video games and learning[Web Video]. Retrieved from: http://www.youtube.com/watch?v=rN0qRKjfX3s
Gackenbach, J. (Ed.). (2007). Psychology and the internet : intrapersonal, interpersonal, and transpersonal implications. Amsterdam; Boston: Elsevier/Academic Press.
Giles, D. (2010). Psychology of the media. Houndmills, Basingstoke, Hampshire; New York: Palgrave Macmillan.
Ohler, J. (2008). Digital storytelling in the classroom new media pathways to literacy, learning, and creativity. Thousand Oaks, Calif.: Corwin Press. Retrieved from http://catalog.hathitrust.org/api/volumes/oclc/86038208.html
Rosas, R., Nussbaum, M., Cumsille, P., Marianov, V., Correa, M., Flores, P., Grau, V., et al. (2002). Beyond Nintendo. design and assessment of educational video games for first and second grade students.pdf. Computers & Education, 40(2003), 71–94.
Zhou, Z., Jin, X.-L., Vogel, D. R., Fang, Y., & Chen, X. (2011). Individual motivations and demographic differences in social virtual world uses: An exploratory investigation in Second Life. International Journal of Information Management, 31(3), 261–271. doi:10.1016/j.ijinfomgt.2010.07.007
Joinson, Mckenna, Postmes, and Reips (2009) discuss three main types of social influence: compliance, norm-based influence, and interpersonal influence. Compliance takes place when an individual molds their actions around what is expected of them in a social situation; they act on other peoples’ expectations. Norm-based influence is when an individual makes a change to their behavior in order to fit in with their in-group, and do so of their own volition. Interpersonal influence takes place when and individual sees themselves as distict, and obtains information or perspective from other individuals which they see as useful, influential, or relevant; we may be persuaded by others whom we see as being applicable to our needs or personal validity.
Evidence of these social influences are readily found in online gaming communities. Barnett and Coulson (2010) discuss the formation of organized groups of players (aka guilds) in massively multiplayer online games (MMOs) and what motivates players to join them. They note that due to the varying roles that must be played in order to accomplish goals within these guilds, players must trade information while still fulfilling their individual purposes. In this way, players exibit interpersonal influence on one another. Other research notes that players are influenced socially in game play, but do not clearly define whether the influence is compliant or norm-based (Cole & Griffiths, 2007).
An example of compliant social influence was uncovered when studying Facebook group use (Park, Kee, & Venezuela, 2009). Students report using Facebook groups because they felt compelled by fellow students and identified doing so as an in-group normative behavior.
Finally, norm-based influence can be found in social martketing (McKenzie-Mohr, 2000). When social marketers present desired behaviors as social normatives, individuals may alter their behaviors of their own choosing to match the desired behavior presented in the campaign. In this way, the individual avoids cognitive dissonance and is able to percieve themselves as complying with the more desirable behavior; that of the in-group as presented by the campaign.
When we understand how social influence affects behaviors and changes, as well as personal identities, we can not only understand changes in individuals but we are better equipped to use these influences to overcome marginalization, develop various skills, and teach others to follow suit.
A few days ago, I came across this article on whether professional gamers should be considered athletes. While I don’t necessarily think the work “athlete” is appropriate to describe professional gamers, my reasons are nothing more than technical. Consider the definition from Dictionary.com:
“A person trained or gifted in exercises or contests involving physical agility, stamina, or strength; a participant in a sport, exercise, or game requiring physical skill.”
From my point of view, the only reason this isn’t necessarily a good word is the inclusion of “requiring”.
During the League of Legends World Championship Playoffs last week, one of the commentators mentioned the need for gamers to be physically fit, get lots of rest, avoid harmful substances, and an excess of anything that could detract from stamina, strengths, and agility. Phyiscal health has been linked to improved neuropsychological functioning in elders (Dustman et al., 1984) so it’s not hard to imagine that a healthy young adult is likely to stay more focused and endure a long bout of gaming better than one who is less physically fit.
Don’t get me wrong, I’m not saying there’s no such thing as an unfit professional gamer. In fact, I’m saying the opposite. While I think it is more likely that the more successful pro gamers will be more physically fit, I don’t think it’s a requirement. Of course, sumo wrestlers don’t seem the picture of health either, but what makes someone good at what they do is the directly related training specific to the sport/game. Awareness, meditation, practice, drive… these things most definitely come into play during gaming, but jogging a 5k isn’t probably going to be the make or break factor.
And no, that is not a permission slip to run out and buy a bag of Doritos a 2-liter of Mt. Dew before hunkering down in mom’s basement; we don’t want to return to that stereotype… got it?
Dustman, R., Ruhling, R., Russell, E., Shearer, D., Bonekat, W., Shigeoka, J., … Bradford, D. (1984). Aerobic exercise training improved neuropsychological function of older individuals. Neurobiology of Aging, 5, 35-42. Retrieved from http://jtoomim.org/brain-training/aerobic%20execise%20and%20improved%20neuropsychological%20function%20in%20older%20adults.pdf
First, let me start by saying that I’m a League of Legends (LoL) fangirl. I tell you this because when I say Smite might motivate me to leave LoL, it should have impact. Smite has all the things I like about LoL, but takes care of a few of the things I don’t; including the excessive number of trolls and flamers that Riot bans people for reporting. More on that another time. For now, let’s talk Smite!
I’ve always been interested in mythology; no secret there. I have written before about Joseph Campbell and his words of wisdom, not the least of which include the hero’s journey and the universality of myths as truths. Smite uses gods from a variety of mythologies (e.g., Greek, Hindu, Chinese, Egyptian, etc.) and turns them into mages and melee fighters. In teams of 5v5, you set off down the three lanes, all full of towers and minions (and yes, there are jungles too) all leading to your goal; the Minotaur. Take down the fierce golden Minotaur, and you claim victory for your team. Simple as that… in theory.
The view is third person, so it feels more like World of Warcraft than LoL in that respect. Movement is very familiar if you play WoW as well: WASD for running, number keys for abilities, and the mouse guiding your direction of travel. Like with LoL, you use favor (aka IP) or gems (the in-game currency that has to be purchased with actual money) to unlock gods and a variety of skins. There are some gods who excel at defense, some at magic use, and some at melee fighting; as in most any MOBA. And, of course, you can purchase a wide variety of items to passively buff any number of stats on each character. One of the great things about Smite (at least as compared to LoL) is the ability to have your items and abilities auto leveled for you. This means those who are consumed with trying NOT to nerf their team can focus on other things. As you’re entering the game, you simply unmark the boxes for either or both when you’re ready to customize your toon.
Since I’m sure you’re well versed in MOBAs by now, I’ll talk about particulars only briefly. The graphics for this game are phenomenal. The detail to the characters both in character select, in the animations for the skins, and in game play is breathtaking. The sounds for the game aren’t spectacular, but they’re not overwhelming either. The characters have their taunts and musings, and the voices are well done, but they are by no means meant to make or break the game. Something auditory, however, that I did find amusing/helpful was a verbal cue for team notifications. In other words, when someone is trying to warn you that the right lane that you’re trying to push is about to be ganked, a voice says, “Right lane under attack!” and whether you look at the map or read the chat log, you know what’s coming. To be honest, I prefer that to a “PING” any day. Especially when people are spamming the ping… but I digress.
In my opinion, the significant advantage this game has over LoL is the immersion. Because this game is done in third person point of view, the game is far more transportational than LoL is. There is no overhead view; you are IN the battlefield. This, of course, makes map awareness vital, but allies and opponents are labeled well from the third person view as well, so as long as they’re visible, you can easily weave your way through the jungles and lanes. Team fights are also facilitated well by the ease of map awareness and the point of view change. Another bonus (or frustration depending on how you play) is the immersion in fights. As a ranged character, every ability is a skill shot; you HAVE to aim your shots and be in range. However, you’re given an arrow to line your shots up with (making my life SO much easier). As a melee character, you can also see where your ability is going to hit (you can walk around with your ability range lit before you take the shot… VERY handy), but when you’re auto attacking, you have to stay oriented; much harder to do when you aren’t look on from above.
From a psychological perspective, the social aspect of the game is definitely present; there are chat tabs that you’re constantly exposed to in the lobby (much like you are with WoW), and this is where you friend chats pop up as well. Anyone who has managed tabs on a web browser, can manage these. Though the game is in closed beta, current players have been given invitations to send to friends, and you can always request a game key directly from Hi-Rez (mine took only a few hours to arrive). Either way, the ability to play with friends is definitely a motivator for some to play this game. If your friends aren’t on the game (or you want to get REALLY good before you invite them… ahem…), there is still the team play socialization that facilitates cooperation, planning, leadership, and social adeptness. This game has levels, favor, and types of game play which become available only after reaching certain levels as a player; all of these become reinforcers and promote achievement based game play motivation. The increased immersion, thanks to the third person view, makes escapism and transportation easier and more fulfilling.
Whatever your reason for playing MOBAs, this game covers it well. If you’re a player who likes a laid back, stress free game there are solo training matches where you go one on one, and all characters are available for play. You don’t get favor here, but you get to try before you buy and you can get a feel for the game before you wade into the waters as a noob in the pvp realm. Once you get really good, there are ranked games with more game play styles being released soon. Now is a great time to start playing. If you like MOBAs, my guess is you’ll love this one; it’s not out with the old, in with the new. It’s, “Now here’s something we hope you’ll REALLY like!”